We met as roommates in a Bed-Stuy, Brooklyn, apartment with a revolving door that spun faster than an exit at a shifty telemarketing company and had more drama than any season of The Real World. Two years later, we no longer live together, but have remained close friends and have now joined forces to bring you: Two Black Girls at the Movies.

Ironically, the project started when Siobhan’s laptop caught a virus while trying to watch a bootleg movie online. When she called her service provider (shout outs to Cablevision) to reset her modem, she was informed of a free program which gives customers complimentary weekly tickets to the movies!

The following Tuesday the weekly adventures commenced. And since then, we take the beloved MTA trains to Manhattan to join what sometimes feels like the entire Tri-State Area for a free movie.

Sometimes the movies are good (It's Complicated), sometimes the movies are bad (Dear John), and sometimes the movies are so bad that they are good (drawing a blank here). Often times the best part of our escapades come from the unpredictable antics of our fellow movie-goers, like when the man seated next to us repeatedly cut the cheese or the post-movie powwow in the ladies room when we learned about the homeless couple who smelled so rancid that people walked out of the theatre.

Instead of a thumb ups or thumbs down rating system, we rate movies on how badly you need a cocktail after (and in some cases, before) watching them. Since some of the films being released lately have been so bad, you end up feeling like you’re in dire need of a bar.

No matter what the story, whether on the screen or in the theatre, we give you the smart, sassy, and straight-talking opinions of Two Black Girls at the Movies.

Monday, June 28, 2010

Grown Ups Is For Kids Only

By Siobhan Dixon

Take an all-star cast from Saturday Night Live’s early 90s heyday, throw in the director of box office hits like Big Daddy and Happy Gilmore, and sprinkle in a little Salma Hayek, because really, life is always better with a little Salma Hayek (the woman is hot!), and you’ve got a recipe for comic gold right? Wrong!

Sorry folks, but once again I come bearing bad news––it’s another bad movie: Grown Ups. In fairness, let’s call on the old adage, “Don’t shoot the messenger,” i.e. please don’t blame us for what may seem like a string of scathing or overly critical reviews.

Instead let’s line up all the terrible directors and writers, all the talented actors for giving such poor performances, and all the production companies for funding such recent crap as Dear John, Chloe, Splice, and Sex and the City 2, and take them out execution style.

We find ourselves in such dire straits that we’ve considered changing the name of the site to Two Black Girls at Bad Movies or reviewing old DVDs. However, we are going to stick it out for the love of the art form, the sake of our readers, and an excuse to eat wings and drink cocktails at Dallas BBQs once week!

The premise of Grown Ups is simple: five childhood friends––Adam Sandler, Chris Rock, David Spade, Rob Schneider, and Kevin James––return to their hometown after 30 years for the funeral of their seventh grade basketball coach who led them all to a championship.

While it’s unclear whether or not the men stayed in touch over the years, they immediately revert back to their boy-like banter once they reunite for a weekend with their families at the same lake house where they celebrated their basketball championship decades earlier. Conveniently, the funeral just so happens to fall on the Fourth of July weekend. Right.

Adam Sandler plays a successful Hollywood agent, married to an equally thriving fashion designer, Salma Hayek. Their three spoiled kids are completely dependent on technology and their Asian nanny (too easy, so I’ll just leave that one alone) who the couple tries to pass off as a foreign exchange student to their friends.

David Spade portrays the single, immature bum of the crew whose pastimes still include getting wasted and chasing young tail.

Chris Rock is totally unconvincing as an underappreciated stay-at-home dad of two whose wife, played by SNL’s Maya Rudolph, is the family breadwinner. His life is further perturbed by the presence of his wife’s mother, aka the “big momma” character, (again, just not gona go there this time, but rest assured, I will) who lives with the family and with whom he constantly butts heads.

Kevin James plays a middleclass man who rents a fancy car for the weekend to keep up false appearances. Meanwhile, his wife, played by Maria Bello, inappropriately pulls out her boobs at any given place or time to breast feed their four-year-old son.

Rob Schneider takes the role of a nonviolent spiritualist married to a similarly peace-loving woman at least 20 years his senior. He has a severe short-man’s complex, so he wears a ridiculous six-inch toupee that lifts into the air every time the wind blows.

This film is plagued with flaws, namely, there is no storyline––whatsoever! Once the men and their wives and children arrive at the lake house the plot essentially consists of what I like to call “bad white boy humor,” meaning lots of farts and burps, repeated injuries to the male nether regions, and constant dainty shots of hot young girls in booty shorts and bikinis.

Still, the primary issue with the film is that the characters, not the actors, seem aware that they are in a comedy movie! I suppose the dialogue is intended to simulate how a group of male friends crack jokes on each other, but with lines like, “Oh my god, it’s captain caring of the S.S. melodrama” and “Don’t say that he resembles a midget Filipino Fonzie,” it’s just plain unrealistic.

Had the film been about the reconvening of five childhood friends all turned comedians, then perhaps the nonstop standup comedy conversations might ring true. However, regular people do not incessantly speak in perfectly timed, witty one-liners! To boot, the deliveries are lazy and the characters laugh at each others’ and even worse, their own jokes! That’s never a good sign.

The overarching theme of Grown Ups is a total cliché––present-day adults and kids alike are out of touch with nature and childlike innocence. But I think the real purpose of the film was for the old SNL crew to have their own little reunion where they didn’t have to do much acting, but instead just horse around while the cameras rolled and make a little money while doing it––the movie did make over $40 million it's opening weekend.

Luckily, we got an advanced and more importantly a free screening, so hopefully this review finds you in time.

Rating: Kids will love the callow, campy comedy of this film, but anyone over the age of 21 (or 19 for our Canadian readers!) may need a nice glass of wine afterwards. Nothing too strong––this is not as bad as Sex and the City 2.

Thursday, June 24, 2010

Friends Don't Let Friends See Sex and the City

By Siobhan Dixon

Let me preface this review with the following cautionary note and rating: COCKTAILS ARE ABSOLUTELY NECESSARY FOR THE VIEWING OF SEX AND THE CITY 2––if possible, before, during, and after!

I was two for three, having had four mango margaritas before the movie and even sneaking a fifth into the theatre in a Styrofoam cup, because I was warned of how horrible this film is. But perhaps that was my mistake––I missed the oh-so-critical post-film cocktail which, may have helped numb or even erase the painful movie-going experience that is Sex and the City 2.

To be clear, the intention of this blog is not to bash every film we see, but it just so happens that there are some seriously bad movies being made, and unfortunately, this is one. I am an avid fan of the Sex and the City television series, which is smart, funny, and edgy; however, the film adaptations have ruined all of that.

I hated the first film, particularly the fact that Carrie settled for a thoughtless proposal and low-budget wedding at city hall after Mr. Big left her at the altar, so when word spread that Carrie’s ex and fan favorite Aiden would appear in the film’s second installment I started to feel a tiny kernel of optimism. In conjunction with the constant commercials and non-stop media hype, I admit I lost touch with reality. I thought maybe, just maybe, the franchise could be redeemed and this film would be good, but I was sadly mistaken.

The film is set two years after the conclusion of the first film. But beyond that it seems the writers had nowhere and no clue where to take the characters’ storylines, so they opted for simplistic, vapid, and unoriginal, complete with 80s flashbacks and a karaoke scene.

Carrie, who apparently no longer writes her newspaper column, has just completed another book based on her two years of marriage to Big. But in truth, she fears they may have already “lost their sparkle,” whatever that means.

Now the mother of two girls, including a terrible two-year-old, Charlotte finds herself exhausted by the demands of motherhood, despite the fact that she doesn’t work and has a nanny!

Miranda's storyline seems the most contrived because any follower of the show knows that as a partner at her law firm, she is a passionate career woman. So why now does she suddenly hate her job and (insert cliché!) feel that her voice isn’t being heard?

And lastly, what chick flick would be complete without the obligatory “I’m going through menopause” shtick? Enter Samantha, the medical miracle who unlike every other menopausal woman experiences loss of sex drive and difficulty reaching orgasm, has still managed to keep up her whoring ways. Hence, cliché, after cliché, after cliché, after cliché.

But wait! There’s yet one more: Carrie’s gay best-friend, Stanford, marries Charlotte’s gay best-friend, Anthony, in what proves to be the most flaming of gay weddings. And I say this in no way to be offensive because the excessive use of stereotypes offended me––and I’m straight!

Case in point: Liza Minnelli’s 64-year-old ass performs Beyonce’s “Single Ladies” in a sequin mini-dress and knee-high boots. Surely this scene is intended to be comical, but I assure you, it isn’t. It’s simply absurd and campy, essentially setting the tone for the rest of the movie. Dana must have had a premonition because it was at this point that she fell asleep! Thus, I was forced to endure the rest of the film solo!

The second half of the 2.5 hour movie moves from West to East as Samantha somehow manages to parlay a public relations gig into an all expenses paid one-week trip to Abu Dhabi for all four women. At this point, the film’s fate is sealed. It takes on an almost Looney Tune-like quality, employing overtly offensive cultural stereotypes, trite plotlines, bad writing, corny music, and unconvincing acting.

Things become so sophomoric, at one point I wasn’t sure if I was watching Sex and the City 2 or Disney’s Aladdin! For instance, there’s a scene where condoms fall out of Samantha’s purse and the girls are chased by a mob of angry Muslim men through an Abu Dhabi marketplace. Isn’t that eerily reminiscent of the scene in Aladdin where he races through the Arabian streets trying to evade authorities because he stole food?

At this point, I was so irritated, offended, and quite frankly, bored that I texted my sister: “This movie is so bad!!! Dana has been snoring her ass off for about 1.5 hours, if not more. I envy her!”

As the film wrapped up, I didn’t care who cheated with who, who was forgiven or even if they came back to the U.S. The ending, like the rest of the film, was lame and unimaginative. And as the credits rolled and Dana awoke from her slumber, I was just glad it was over.

Ironically, I’ve been sipping on a mango margarita while writing this review. No I’m not an alcoholic! I just needed some assistance reliving the mockery that has become of one of my favorite television shows. So it seems in the case of Sex and the City 2, cocktails are needed before, during, after, and even while writing a review.